Square Mile

A collection of images intended to capture the 'unseen' effects of isolation on the 'unseen' individual living alone.

As 2020 was drawing to an end I was thinking about how much time I had spent away from family and friends and how the restrictions on gatherings and meetings was affecting not only myself but everyone throughout the country. I took the time to experience some of the festiveness of Christmas that I missed by not being able to gather with loved ones by vicariously enjoying the displays of my neighbours. I found it interesting how each household celebrates in different ways yet how similar the message is across all homes.

Throughout Salford there are symbols of movement and freedom, opportunity and potential yet the city is plagued by it's leading levels of poverty, unemployment and in-education. The only places with true accessibility are the sites of gambling, homelessness and control.

Throughout 2020 the only opportunity to leave home was for the 1 hour exercise limit per day. in that time I decided to proactively create, to record and muse over the now strange sights of normality.

The decisive moments, commonly associated with Henri Cartier-Bresson is the precise moment all natural occurrences intersect to form a scene of equilibrium in front gf the camera. Here the (in)Decisive Moment the scene is built from the less obvious ways our world coincides with itself.

An exploration of the meaning of self and the ‘Portrait’ Through this set of images I hope to capture the concept of the portrait being more a reflection of the artist than an insight to the subject. The portrait is a result of many decisions made by the photographer, those decisions tainted by their observations, pre-conceptions and agenda. At some point the product of those decisions is more the interpretation of the photographer than the representation of the subject. The ability to manipulate and alter the image leaves us open to believing someone looks or even acts a certain way. Photographers can create masks, beauty or deceit. In many ways photographers are, through their subject, taking a self portrait albeit vicariously.

This collection of images was captured and collated after a recent shopping spree, of photographic books for research, revealed various types of messages, items and notations within used copies of the titles I bought. Each one a little peek into a strangers life, past and connection with the book. I found it interesting how it related to my own past experiences with being gift books but also how, where and when the notes were made or placed within the book.

Street photography has been around since the inception of photography as a medium. It's a genre of work that I enjoy both researching and creating as it presents us with a vision of everyday life otherwise unseen and unknown. whenever I'm not working on a commission or project I like to soak up the atmosphere of my home city Manchester looking for the sights and scenes which epitomise what it means to be Mancunian.