Square Mile

The decisive moments, commonly associated with Henri Cartier-Bresson is the precise moment all natural occurrences intersect to form a scene of equilibrium in front gf the camera. Here the (in)Decisive Moment the scene is built from the less obvious ways our world coincides with itself.

A collection of images intended to capture the 'unseen' effects of isolation on the 'unseen' individual living alone.

An exploration of the meaning of self and the ‘Portrait’ Through this set of images I hope to capture the concept of the portrait being more a reflection of the artist than an insight to the subject. The portrait is a result of many decisions made by the photographer, those decisions tainted by their observations, pre-conceptions and agenda. At some point the product of those decisions is more the interpretation of the photographer than the representation of the subject. The ability to manipulate and alter the image leaves us open to believing someone looks or even acts a certain way. Photographers can create masks, beauty or deceit. In many ways photographers are, through their subject, taking a self portrait albeit vicariously.

By no means the first, but possibly the most documented, enslaved man in the Lancashire and Greater Manchester area Juba Royton is notable for his few but unique appearances in local and national records. These dates are merely records of occasions in his life, no images of him, no history before his arrival in Oldham and no indication to the type of man he was beyond what the records infer.

As 2020 was drawing to an end I was thinking about how much time I had spent away from family and friends and how the restrictions on gatherings and meetings was affecting not only myself but everyone throughout the country. I took the time to experience some of the festiveness of Christmas that I missed by not being able to gather with loved ones by vicariously enjoying the displays of my neighbours. I found it interesting how each household celebrates in different ways yet how similar the message is across all homes.

Street photography has been around since the inception of photography as a medium. It's a genre of work that I enjoy both researching and creating as it presents us with a vision of everyday life otherwise unseen and unknown. whenever I'm not working on a commission or project I like to soak up the atmosphere of my home city Manchester looking for the sights and scenes which epitomise what it means to be Mancunian.

The national lockdowns in2020 lead to the weekly Clap for the NHS. A tribal act intended to unite and elevate the risk and struggle of front-line workers, with the goal of influencing the general population to follow the restrictions. Instead we saw a symbol followed for fear of public ostracisation and the true individual action of littering and abandoning the guidelines.

‘This is Not a Photograph of a Policeman’ Saturday 19th September 2020, four days prior to the introduction of stricter restrictions of the gathering of people and opening hours of hospital venues during the resurgence of Covid-19 infections. How do people react when presented with information outside of their everyday routine? Do they stop and examine, turn away and ignore, carry on unaware or destroy it? At 10am Manchester interacted with a cardboard policeman carrying a bundle of deflated latex gloves and a message of ‘Keep Calm and Carry On’. At 11.15am it was removed by Arndale Security assisted by a homeless man. I don’t know whether I should be annoyed by its short life or worried it lasted so long.