Shower Scenes

By no means the first, but possibly the most documented, enslaved man in the Lancashire and Greater Manchester area Juba Royton is notable for his few but unique appearances in local and national records. These dates are merely records of occasions in his life, no images of him, no history before his arrival in Oldham and no indication to the type of man he was beyond what the records infer.

As 2020 was drawing to an end I was thinking about how much time I had spent away from family and friends and how the restrictions on gatherings and meetings was affecting not only myself but everyone throughout the country. I took the time to experience some of the festiveness of Christmas that I missed by not being able to gather with loved ones by vicariously enjoying the displays of my neighbours. I found it interesting how each household celebrates in different ways yet how similar the message is across all homes.

‘This is Not a Photograph of a Policeman’ Saturday 19th September 2020, four days prior to the introduction of stricter restrictions of the gathering of people and opening hours of hospital venues during the resurgence of Covid-19 infections. How do people react when presented with information outside of their everyday routine? Do they stop and examine, turn away and ignore, carry on unaware or destroy it? At 10am Manchester interacted with a cardboard policeman carrying a bundle of deflated latex gloves and a message of ‘Keep Calm and Carry On’. At 11.15am it was removed by Arndale Security assisted by a homeless man. I don’t know whether I should be annoyed by its short life or worried it lasted so long.

A series of images shot on the first Saturday night of the 2020 lockdown. Each scene is from the Northern Quarter and surrounding areas in Manchester at approximately 9pm.

The national lockdowns in2020 lead to the weekly Clap for the NHS. A tribal act intended to unite and elevate the risk and struggle of front-line workers, with the goal of influencing the general population to follow the restrictions. Instead we saw a symbol followed for fear of public ostracisation and the true individual action of littering and abandoning the guidelines.

This collection of images was short introduction to a longer term project, that of documenting the people I see whilst out walking my dog. I chose this subject as it's one of the few forms of activity that has been viable during the covid-19 lockdown restrictions. A small opportunity to connect with other people who share an interest and pastime with little risk. Each person shares a similar space in the world and sometimes similar stories yet despite being part of the social collective of being dog owners and walkers they each have distinct taste, experiences, preferences and outlooks.

Street photography has been around since the inception of photography as a medium. It's a genre of work that I enjoy both researching and creating as it presents us with a vision of everyday life otherwise unseen and unknown. whenever I'm not working on a commission or project I like to soak up the atmosphere of my home city Manchester looking for the sights and scenes which epitomise what it means to be Mancunian.

Salford, Manchester has always been a particularly hard hit area by poverty, lack of engagement, education and general well being. However with the growth of MediaCity the area has become known for the northern hub of high earning creatives and media. Against a backdrop of the lowest national rates of life standards the idea of accessibility's blocked by the inherent financial and education struggles of the local residents.

Throughout Salford there are symbols of movement and freedom, opportunity and potential yet the city is plagued by it's leading levels of poverty, unemployment and in-education. The only places with true accessibility are the sites of gambling, homelessness and control.

This collection of images was captured and collated after a recent shopping spree, of photographic books for research, revealed various types of messages, items and notations within used copies of the titles I bought. Each one a little peek into a strangers life, past and connection with the book. I found it interesting how it related to my own past experiences with being gift books but also how, where and when the notes were made or placed within the book.