The use of conflicting and un-natural colour tones, lighting styles, inclusion of technological props and influences are a reflection of the state of mind during long periods without human interaction in a 'real-life' social interaction. The societal standards, deadlines and constant barrage stimulus that normally surrounds us is replaced with unending banality. Social media and online networking becoming our only contact with the outside world compounding the need to play for the camera whilst being our only source of socialisation, distraction, entertainment and information. As someone who lives alone, the period of lockdown has become a period of short attention spans and lack of drive. A never ending long weekend where every little job becomes an excuse for a rest as there is no deadline for completion and no accountability to others, friends or family. The only constant being my dog, my dependant, her walks and feeding times the only remnant of routine. The sporadic nature of emotion is reflected in the variety of images presented, some days are relatively normal whilst others, despite being filled with stimulus, stir little in the way of interest or joy. Occasionally, there can be a special moment that brings a smile and others when it feels as if no one would notice you were gone. I call the collection 'Self Isolated - 1 Day in Lockdown' so to gather the set into a time frame which signifies the constant shifting of mood and emphasising the longevity of the restrictions.
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Salford, Manchester has always been a particularly hard hit area by poverty, lack of engagement, education and general well being. However with the growth of MediaCity the area has become known for the northern hub of high earning creatives and media. Against a backdrop of the lowest national rates of life standards the idea of accessibility's blocked by the inherent financial and education struggles of the local residents.
You're Always Welcome Here
Throughout Salford there are symbols of movement and freedom, opportunity and potential yet the city is plagued by it's leading levels of poverty, unemployment and in-education. The only places with true accessibility are the sites of gambling, homelessness and control.
This collection of images was captured and collated after a recent shopping spree, of photographic books for research, revealed various types of messages, items and notations within used copies of the titles I bought. Each one a little peek into a strangers life, past and connection with the book. I found it interesting how it related to my own past experiences with being gift books but also how, where and when the notes were made or placed within the book.
The decisive moments, commonly associated with Henri Cartier-Bresson is the precise moment all natural occurrences intersect to form a scene of equilibrium in front gf the camera. Here the (in)Decisive Moment the scene is built from the less obvious ways our world coincides with itself.
Home is Where The Heart is
'Home is Where The Heart is' was a project I completed with the support of Coffee4Craig, a Manchester based homeless charity. This project was intended as a question of the representation of those who are in a position to call themselves homeless after personal circumstances have lead to them requiring help to find shelter, food, clothing and other sources of medical or personal support. As apposed to the architypal image of individuals in these circumstances the project was to connect the subjects with an audience in a way which created a sense of uniqueness, individuality and equality. Each story and person has their own specific needs and their own story to tell in how they became homeless and ultimately progressed on to anew chapter in their life.
1 Hour of Lockdown
Throughout 2020 the only opportunity to leave home was for the 1 hour exercise limit per day. in that time I decided to proactively create, to record and muse over the now strange sights of normality.
The experience of a shower but in imagery, view this whilst playing rain sounds and the image becomes visual texture.
Remember That Time When...
...but words will never hurt me.
Street photography has been around since the inception of photography as a medium. It's a genre of work that I enjoy both researching and creating as it presents us with a vision of everyday life otherwise unseen and unknown. whenever I'm not working on a commission or project I like to soak up the atmosphere of my home city Manchester looking for the sights and scenes which epitomise what it means to be Mancunian.