What Jasmine Smelt

A collection of images intended to capture the 'unseen' effects of isolation on the 'unseen' individual living alone.

The experience of a shower but in imagery, view this whilst playing rain sounds and the image becomes visual texture.

Salford, Manchester has always been a particularly hard hit area by poverty, lack of engagement, education and general well being. However with the growth of MediaCity the area has become known for the northern hub of high earning creatives and media. Against a backdrop of the lowest national rates of life standards the idea of accessibility's blocked by the inherent financial and education struggles of the local residents.

The national lockdowns in2020 lead to the weekly Clap for the NHS. A tribal act intended to unite and elevate the risk and struggle of front-line workers, with the goal of influencing the general population to follow the restrictions. Instead we saw a symbol followed for fear of public ostracisation and the true individual action of littering and abandoning the guidelines.

This collection of images was short introduction to a longer term project, that of documenting the people I see whilst out walking my dog. I chose this subject as it's one of the few forms of activity that has been viable during the covid-19 lockdown restrictions. A small opportunity to connect with other people who share an interest and pastime with little risk. Each person shares a similar space in the world and sometimes similar stories yet despite being part of the social collective of being dog owners and walkers they each have distinct taste, experiences, preferences and outlooks.

'Home is Where The Heart is' was a project I completed with the support of Coffee4Craig, a Manchester based homeless charity. This project was intended as a question of the representation of those who are in a position to call themselves homeless after personal circumstances have lead to them requiring help to find shelter, food, clothing and other sources of medical or personal support. As apposed to the architypal image of individuals in these circumstances the project was to connect the subjects with an audience in a way which created a sense of uniqueness, individuality and equality. Each story and person has their own specific needs and their own story to tell in how they became homeless and ultimately progressed on to anew chapter in their life.

An exploration of the meaning of self and the ‘Portrait’ Through this set of images I hope to capture the concept of the portrait being more a reflection of the artist than an insight to the subject. The portrait is a result of many decisions made by the photographer, those decisions tainted by their observations, pre-conceptions and agenda. At some point the product of those decisions is more the interpretation of the photographer than the representation of the subject. The ability to manipulate and alter the image leaves us open to believing someone looks or even acts a certain way. Photographers can create masks, beauty or deceit. In many ways photographers are, through their subject, taking a self portrait albeit vicariously.

The decisive moments, commonly associated with Henri Cartier-Bresson is the precise moment all natural occurrences intersect to form a scene of equilibrium in front gf the camera. Here the (in)Decisive Moment the scene is built from the less obvious ways our world coincides with itself.

This collection of images was captured and collated after a recent shopping spree, of photographic books for research, revealed various types of messages, items and notations within used copies of the titles I bought. Each one a little peek into a strangers life, past and connection with the book. I found it interesting how it related to my own past experiences with being gift books but also how, where and when the notes were made or placed within the book.