(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT
(VICARIOUS) SELF PORTRAIT

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1 Day in Lockdown
A collection of images intended to capture the 'unseen' effects of isolation on the 'unseen' individual living alone.
Nights Out Aren't What They Used To Be
A series of images shot on the first Saturday night of the 2020 lockdown. Each scene is from the Northern Quarter and surrounding areas in Manchester at approximately 9pm.
The Personal Project
The Dog Walker
This collection of images was short introduction to a longer term project, that of documenting the people I see whilst out walking my dog. I chose this subject as it's one of the few forms of activity that has been viable during the covid-19 lockdown restrictions. A small opportunity to connect with other people who share an interest and pastime with little risk. Each person shares a similar space in the world and sometimes similar stories yet despite being part of the social collective of being dog owners and walkers they each have distinct taste, experiences, preferences and outlooks.
A Search for Juba, Lost In Royton
By no means the first, but possibly the most documented, enslaved man in the Lancashire and Greater Manchester area Juba Royton is notable for his few but unique appearances in local and national records. These dates are merely records of occasions in his life, no images of him, no history before his arrival in Oldham and no indication to the type of man he was beyond what the records infer.
We Clapped, So It's All OK
The national lockdowns in2020 lead to the weekly Clap for the NHS. A tribal act intended to unite and elevate the risk and struggle of front-line workers, with the goal of influencing the general population to follow the restrictions. Instead we saw a symbol followed for fear of public ostracisation and the true individual action of littering and abandoning the guidelines.
Home is Where The Heart is
'Home is Where The Heart is' was a project I completed with the support of Coffee4Craig, a Manchester based homeless charity. This project was intended as a question of the representation of those who are in a position to call themselves homeless after personal circumstances have lead to them requiring help to find shelter, food, clothing and other sources of medical or personal support. As apposed to the architypal image of individuals in these circumstances the project was to connect the subjects with an audience in a way which created a sense of uniqueness, individuality and equality. Each story and person has their own specific needs and their own story to tell in how they became homeless and ultimately progressed on to anew chapter in their life.
You're Always Welcome Here
Throughout Salford there are symbols of movement and freedom, opportunity and potential yet the city is plagued by it's leading levels of poverty, unemployment and in-education. The only places with true accessibility are the sites of gambling, homelessness and control.
Winter's Harvest
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